Italian designer Alessandro Mendini’s 1978 Proust armchair, one of the most iconic chairs of the last century and a precursor to Postmodern design, was put into production for the first time by furniture brand Magis.

Mendini originally designed the Proust chair as a one-off piece intended for French author Marcel Proust. Its design combines a Baroque-style shape with a pattern of tiny hand-painted Pointillist coloured dots across its wooden frame and upholstery.

With this mash-up of historical styles, Mendini paved the way for Postmodernism in design. He is described as the “saturnine conceptualist of Italian Postmodernism”.

The chair, which is Mendini’s best-known work, was the first in a series known as Redesigns. The series brought together the designer’s academic theories on the importance of historical context for design and the significance of surface appearance in a fast-moving world.

The Proust armchair has been reinterpreted by the designer many times, appearing in ceramic, bronze and most recently marble at museums and design events all over the world.

Previous iterations have been limited-edition releases, but Magis put the chair into mass production for the first time in 2011. “This gem of technology and production brings new energy in its colours and atmospheres, making it a truly timeless object,” said Mendini.

The chairs are available in blue, red, white, orange, and the original dotted pattern. It was also created in a colour named “violato” for this year’s D’Annunzio e i Giardini di Pan event, celebrating the poetry of the late Italian writer Gabriele D’Annunzio, who coined the term for the hue halfway between pink and purple.

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